education: 

UC, Los Angeles      

      M.Arch I, 2004

UC, Irvine 2001       

      BA in Fine Arts;     

      BS in Biological Sciences.

a. statement :: born in USSR, made in USA                                         

 

I am a multidisciplinary artist working in both traditional and new media including series of large scale - paper-cut abstractions, series of large drawings in soft pastel, digital rendering, 3D printed & assembled light-sculpture.  

I am in immigrant, a refugee.  I was born and raised in Ukraine and landed in the United States when I was 16 years old.  As a human being I am deeply troubled by many things: current state of politics, local homelessness, incessant destruction of the environment, kids in refugee camps worldwide.  Artistically I’m influenced by such brave and visionary artists as Malevich, Tatlin, Lissitsky - XX-th century Russian Avant Garde. I am influenced by western modernism, specifically by Henri Matisse, and his wholesome vision of the figure.  I’m greatly influenced by a number of American artists, among them are our contemporaries such as Kara Walker, Barbara Kruger. Walker’s complex vision of the world and portrayal of it in black and white, in a cut-out form - is greatly inspirational to me.  Barbara Kruger’s one liners which include a large political universe in their “oversimplified” presentation - are a great influence to me.

 

My work is personal yet, like a sponge, it wants to absorb various influences to vocalize itself in a unique XXI-st century voice.  I see myself as a minimalist using only as much as needed to convey an idea. My interest lies in perceiving our environment as a constructed one, where my re-invented landscape becomes a new reality.  It is then deconstructed, flattened and re-assembled. Occasionally a human figure or multiple inhabit a given artwork. Landscapes, and figure in the landscape are constructs for a vision of a place, for a vision of a space, moment in time for human interaction.  Layering meaning is always a thrill. Layering it through exposing dualities, visualizing the invisible, visualizing creation and destruction, taking familiar & assigning it a new meaning. Thus, some of my work is loose whereas some seeks to be more defined. For example, an artwork “Bundled - Up” is a paper-cut piece of a female figure against a city street background.  She is a literal and metaphorical cut-out. She lives on the street, and, although a complete stranger to anyone, she has become a familiar “fixture” of the sidewalk…

20./.20

© 

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HUNTER'S POINT SHIPYARD ART STUDIOS

Building 117 [STUDiO #3205]

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